Tagged: Jane Tarr

Northumberland hit again in arts funding ‘balancing act’

A theatre company renowned for its work with children is to lose all its funding while a festival for children will gain a three-year funding package.

It was a day of winners and losers as Arts Council England announced its list of arts organisations – its National Portfolio – guaranteed public subsidy from 2015-18.

For some it will have been no comfort to learn that 42 organisations will receive £53.7m over three years from next April.

Three years ago, when the National Portfolio came into existence, Northumberland Theatre Company (NTC) learned it would lose all its annual £300,000 Arts Council funding from April 2012.

Not only did it fail in its bid to be reinstated yesterday but a second Northumberland theatre company, Hexham-based Théâtre Sans Frontières (TSF), was told it would get no more money from next year.

The company was founded in 1991 by John Cobb and Sarah Kemp and currently receives just over £200,000 to tour plays in French and Spanish to largely young audiences.

Yesterday company spokeswoman Alison Maw said: “Obviously we are disappointed. We are having a meeting with the trustees on Thursday.”

Gillian Hambleton, artistic director of NTC, said: “Basically they have cut theatre in Northumberland. It’s disgraceful. We’re still here fighting but there’s only so long you can carry on.”

One Northumberland theatre company, November Club, which specialises in site-specific work in historic locations, retains its National Portfolio status with about £100,000 annually over the coming three years.

Creative director Cinzia Hardy called it “a wonderful endorsement of our track record for excellence”.

She added that it would secure the company’s future for the next few years.

Also deprived of future National Portfolio status were Northern Architecture, Design Event and Tees Music Alliance.

Side Gallery, Newcastle, which lost funding when the first National Portfolio was announced in 2011, failed in its bid to get back on the list and was also unsuccessful with a bid for capital funding towards an ambitious improvement programme.

The only new North East addition to the National Portfolio – one of 48 around the country – will be the autumn Juice festival for children and young people which is run by destination marketing agency NewcastleGateshead Initiative (NGI).

It is to receive £100,000 a year from April 2015 to March 2018.

Carol Bell, head of culture and major events at NGI, said: “Juice’s vision is to be the leading children and young people’s arts and cultural festival in the UK and Europe.

“NPO status will enable us to continue to pursue this ambition and to really establish Juice as a festival of national and international significance, building on the great work delivered over the past seven years.”

Most major NPO organisations in the North East got pretty much what they applied for.

Sage Gateshead will receive the £3.5m per annum that it asked for, prompting chairman Lord Falconer to say: “We’re very glad to have this vote of confidence in a very tough public funding environment.

Tyne & Wear Archives & Museums (TWAM), was delighted to retain its status as a major partner museum, meaning it will receive just over £1.5m per year from Arts Council England from next year.

But it is also to take over the role of North East Bridge organisation – which Sage Gateshead decided to relinquish – meaning it will work with cultural organisations, schools and colleges to ensure children and young people in the North East will get the chance to experience arts and culture. For this it will get Arts Council funding of £1.5m over three years.

TWAM will be the only museums organisation in the country charged with the role of Bridge organisation.

Director Iain Watson said: “Being awarded both major partner museum funding and Bridge organisation funding means we can realise our ambitious plans for developing opportunities for audiences to engage with our museums and collections over the next three years.”

Jane Tarr, who is Arts Council England’s director for the North and is based in Newcastle, said all applications for NPO status had been measured against five goals.

These were designed to ensure they would deliver great art for everyone, engage children and young people, prove resilient and be properly managed.

Of the decision to exlude TSF from the National Portfolio, she said: “It was a very, very tough decision.

“I think we recognised that TSF do good work and we are keen to carry on supporting this through other funding streams.”

She added: “We are supporting November Club, who do unique work and work in rural areas, and also Berwick Maltings which got a significant funding uplift last time.

We have also been able to support the Queen’s Hall in Hexham and the Berwick Film and Media Arts Festival.”

Peter Stark, one-time boss of Northern Arts and co-author of a report called Rebalancing our Cultural Capital, issued a statement saying the announced funding settlement had “no demonstrated ambition” to address public investment in arts and culture that favoured London over the rest of England by a ratio of 14:1 in terms of population.

A claim that it represented a shift of 2% in favour of the regions amounted to just £6.4m which was exceeded by other grants announced recently to benefit London-based organisations.

He and his co-authors, Christopher Gordon and David Powell, said further analysis of the funding figures would be undertaken ahead of a “more authoritative” assessment.

In Newcastle Jane Tarr responded by saying: “It’s a small shift in terms of funding this time but it’s part of a much more significant shift since 2007.”

  • A series of capital grants announced yesterday by Arts Council England brought joy for Seven Stories, in Newcastle, which retains its National Portfolio status (worth £1.3m over three years) and will be able to invest £499,000 on refurbishment and improving facilities for visitors. Chief executive Kate Edwards said: “We are delighted that Arts Council England continues to recognise our pre-eminent position as the National Centre for Children’s Books.
  • Also announced yesterday was an award of £1.5m to Theatre Hullabaloo in Darlington towards converting an Edwardian fire station into a flagship children’s theatre, one of only three in the country and the first north of London. Theatre Hullabaloo, which runs the Take Off festival of children’s theatre, saw its National Portfolio funding hiked from £207,000 per year to £250,000 from next April.
  • A capital grant of £179,000 has been awarded to Baltic Centre for Contemporary Art in Gateshead so it can extend its library, establish learning zones and create an environmentally controlled archive space.
  • Durham County Council has won a ringing vote of confidence from Arts Council England with a doubling of its National Portfolio funding from around £200,000 to £415,000 per year from April 2015. The Arts Council has earmarked more money from Lumiere, which attracted 175,000 people in 2013 and is now seen as the country’s foremost festival of light-based art. Support has also been maintained for Durham’s book and brass festivals. The Arts Council stated: “Festivals have an important role to play in building audiences for the arts and presenting arts in unexpected ways as well as raising the area’s international profile and contributing to the local economy.”
  • Gem Arts, the North East development agency specialising in South Asian arts, will see its annual funding increased by 60% from £73,000 to £120,000 from next year. The money will help to support a new Indian Summer Festival to be programmed across major venues in Newcastle and Gateshead. This will connect the region with a project called RE-Imagine India which is being put together by the British Council to celebrate the 70th anniversary of Indian independence in 2017.
  • Arc, the arts centre in Stockton-on-Tees, has been awarded a capital grant of nearly £133,000 for improvements to the building. The Arts Council is also maintaining its support for the annual Stockton International Riverside Festival.
  • Northern Print, based in Newcastle and organiser of the International Print Biennale, which has just opened at venues across the region, has been awarded a capital grant of £147,000 for improvements to its studio in the Ouseburn Valley and to invest in digital print equipment.
  • Source –  Newcastle Journal,  02 July 2014

Film director hits out at cuts to North East arts

Arts funding must not be limited to groups inside the golden circle of the M25, the wife of playwright Lee Hall has said.

Baroness Beeban Kidron, the director behind films such as Bridget Jones: The Edge of Reason and Oranges Are Not The Only Fruit, has called on the Government to ensure the North sees a legally binding share of arts funding.

The peer was one of many speaking out following a report last year that showed half of the Arts Council England funding budget went to London, as well as some 90% of the £450m Department for Culture, Media and Sport budget.

This means the capital gets £69 of cultural spending per head, compared with just £4.50 in the rest of England.

Alongside this, 45% of National Lottery arts cash goes to London.

Baroness Kidron, whose husband led efforts to reverse council arts cuts in Newcastle, said that just four institutions in the capital receive more lottery funding than the 33 local authorities which are home to six million people at the bottom of their funding list.

She added: “These local authorities are predominantly, although not exclusively, in the North, but they all cover areas that are already challenged by other symptoms of deprivation and where current and prospective local authority cuts are biting most deeply.”

Speaking before members of the House of Lords, she called for the Government to make funding for the arts “a legal requirement” and to give local authorities the resources to fulfil that requirement.

She said that “talent is not centred in London, appreciation is not centred in London, the need to see oneself reflected in our world is not centred in London” and made the point that the national and international reputation of excellence in the creative arts started with individuals and groups in towns and cities across the UK .

“If we withdraw funding now we decimate the art and artists of the future,” the peer said.

“Starving the ecosystem of the tiny, the local, the experimental, the site-specific and the amateur groups, or insisting that this same list become little businesses, will simply kill the juggernaut of British theatre which has conquered Broadway and beyond.

“Could not Her Majesty’s Government consider making arts funding a legal requirement of local authorities and provide the resources to support that requirement, in order that we do not decimate arts provision outside the golden circle of the M25 and, in doing so, deprive ourselves of the artists and art of the future?”

Jane Tarr, director for the North at the Arts Council England said that the organisation is a “national champion for the arts and culture all over the country”.

“However, we’re not the biggest investor in culture in this country.

“With organisations like the National Glass Centre, The Baltic, The Sage and MIMA it’s clear that the North East is home to some world class arts and culture organisations – the result of very successful partnerships between the Arts Council, local authorities and higher education.”

Source – Newcastle Journal   14 Feb 2014